Lalíngua, gesto e canções de resistência: tatuagens musicais no corpo da cultura

Abstract

How can lalangue be listened to in the gesture of the author who creates with the voice, inventing, so, a sound-musical signature? And how can it, still, participates to the creation in the culture, in the body of the Culture, of spaces of memory where the resistance is told and sung by songs that are inscribed almost like musical tattoos? The proposition of this essay is to open a reflection on these two broad questions.