DIALOGISMO E ATO RESPONSIVO NA INTERPRETAÇÃO MUSICAL

UMA ANÁLISE DE “ESTUDIO SIN LUZ” DE ANDRÉS SEGÓVIA

Abstract

This research looks at dialogic issues in an analytical context in the guitar piece "Estudio Sin Luz" by Spanish musician and composer Andrés Segovia. We justify this choice based on its title in which, through the statements present in the piece, we will discuss, within the concept of the absence of light, the decision-making of the expressive character as a responsive position of the musician for the interpretation. It should be noted that the work was named after a surgery the composer had on his eyes, experiencing temporary blindness. The aspects of the lack of light mentioned above can also be analyzed from the point of view of instrumental idiomatism, based on the positioning of the hands and less use of jumps on the neck of the instrument. From this perspective, we question whether the idea of the absence of light is based on motor aspects or whether it can be supported in the field of the manifestation of expressiveness in the performance of the work, by perceiving its tonal regions and possible "colors" that the execution can express. As a theoretical and methodological apparatus, we will use the books For a Philosophy of the Responsive Act by Mikhail Bakhtin, based on the assumption of the responsive act of the interpreter immanent to the work, as well as Problems of Dostoevsky's Poetics and Aesthetics of Verbal Creation, by the same author, from which we will use the concept of dialogism.